sci-fi author, beatmaker

Tag: creativity

30-Day Experiment: Daily Idea List

photo by Adriano Agulló

photo by Adriano Agulló

For the last month or so I’ve been practicing James Altucher’s habit of writing down ten ideas every day.

I agree with Altucher that you can exercise the “idea muscle” and improve your idea-generating abilities. Almost any kind of intellectual activity can be improved with practice, and at the same time degrades with lack of use. I’m not even sure that I believe in “general intelligence” anymore. Human beings are either good or bad at doing particular things. 95% of that ability is determined by the amount of active practice (not just practicing but actively trying to improve your skills and knowledge). But what about innate ability? Sure, we all have genetic proclivities, but babies who might become geniuses still can’t do anything except cry and shit their diaper. Life takes practice.

Radical Responsibility and the Creative Process

I'm starting a new company called "BoozeSnap."

I’m starting a new company called “BoozeSnap.”

Yesterday morning I showed up at my writing desk not quite ready to work. I was in a foul mood, a little tired and lazy, and feeling distracted. Not just feeling distracted but actively looking for distractions (which, on the internet, are not hard to find).

After an hour or two of wasting time and wallowing in my bad mood, I figured out (for the eleven-hundredth time) that I had nobody to blame for my mental state but myself. I could have said no thank you to the 18-year-old Lagavulin my friend brought back from Scotland and poured freely at the D&D game. I could have attended one decadent social event instead of two. I could have eaten better, exercised more, and gone to bed earlier.

Radical Responsibility is a form of self-empowerment. To me the phrase means looking for solutions and possibilities instead of excuses, and never passing the buck. It means being ready, brave, and confident. It means exercising my free will (and rejecting fate, powerlessness, and inertia).

Of course, having an ideal and living an ideal are not the same. But the point of having an ideal is to stop pounding your head against the wall before you hurt yourself.

So … I acknowledged to myself and my family that I was in a terrible head-space (I had kind of been taking it out on them up to that point). I sat down and meditated for five minutes. I turned off the wifi on my laptop, opened my working document, reviewed my notes, started writing, and kept writing until I had met my daily quota.

Immediately my mood lifted. I read the work and felt excited by it. 27 days in a row working on my current novel (“don’t break the chain” in full effect). There’s no better reminder that emotions don’t have to control you than pushing through and doing the work anyway.

But There’s a Better Way …

Ideally, I shouldn’t have to expend so much willpower to get rolling. I wasn’t ready but I could have been ready. Artists can choose to be ready physically by being reasonably rested and fed (but not overfed — less is usually more when it comes to food and creative productivity). We can be ready emotionally by not getting entangled in other people’s drama (Polish saying: “not my circus, not my monkeys”), by avoiding disputes and the need to always be right. We can be ready with an abundance of ideas by paying attention to the subconscious mind, by meditating, and by consuming brilliant work by artists we admire. If depression is holding us back we can do something about it. If we don’t have enough time or a fancy working space we can fit in bits of work here and there; we can create a distraction-free zone in some little nook.

We could make an excuse for not being ready, but do we want to? Why not just be ready when it’s time to work?

The Perfect Excuse Guy

When I was in my early twenties I had a shitty temp job at a warehouse packing boxes. I also had a few techno and house tracks signed and published (one with a major label) and I was working on music about twenty hours a week. There was a guy at the warehouse, probably in his thirties, who was interested in electronic music and frequently asked me questions about how to get into it. I told him my story: I had saved up money to buy a keyboard, figured out how to plug it into my computer, taught myself MIDI sequencing, sent demos to labels, and so forth.

Anything I told this guy, he had a perfect answer for why he couldn’t do it himself. A keyboard was too expensive (I had saved over a year before buying mine). He didn’t have time because of his job (I was currently working the same job and producing music nights and weekends). I would try to explain to him how he could get around the obstacles he was setting up for himself, but he always had an answer ready. I would give up trying to convince him, but then he would start asking me about music production again. He clearly wanted to get into it himself. He wanted me to talk him into it! I tried, but the excuse part of his mind always won out, and finally I just refused to talk about making beats with that guy.

A different guy from the warehouse was a DJ. He heard I was producing tracks and asked if he could come over and check out my home studio. I said yes and we had a great production session — we exchanged quite a bit of knowledge in just a few hours. It didn’t turn into an official collaboration, but it left me wondering why the first guy never asked to check out my studio and see what it was all about (I had done the same thing with Josh Davis aka DJ Shadow a few years earlier when we both worked at Steve’s Pizza in Davis, California — Josh showed me his four-track + turntables recording setup which was an eye-opener for me at the time in terms of ways to make music).

I want to be the opposite of the Perfect Excuse Guy. I want to be able to produce and create even when I have shitty tools, no time, not enough money, no great ideas, inadequate skills, and a lack of natural genius. Because I just jump in and start. And then keep going. And then get better. And then keep going. That’s the guy I want to be, forever, no matter the field or the game.

So what’s your story? Are you ready to be radically responsible for your own mental state and creative output?

Stubborn and Clever Beats Most Problems

Friedrich Nietzsche, Temescal hipster

Friedrich Nietzsche, Temescal hipster

How many times are you willing to try solving a problem before you give up?

Human beings are incredibly intelligent, compared to most other animals. We’re used to solving a problem on the first try. We see a problem, a solution leaps into our mind, and we take action. I watch my 5-year-old daughter effortlessly solve problems every day. Electronic tablet on dad’s dresser, out of reach? Get chair. Problem solved.

From a little kid’s perspective, problems are either easy to solve, or impossible. If a solution doesn’t instantly spring to mind (or success doesn’t happen on the first try), most kids will quickly jump to “I can’t do that.” A parent’s job, of course, is to instill the sense of a possible solution in a child’s mind. Try again. Think about it. Try ten times if you need to. Try a different approach. Be stubborn (persistent). Be clever (creative).

Persistence and creative problem solving determine success and life satisfaction to a large extent. But neither come naturally. Almost all children, and most adults, get discouraged and give up after a few tries. Or even a single try.

So how do you teach persistence? And not just persistence, but creative, varied approaches to problem solving? Because it’s not enough to just pound away at a problem with the same inefficient, poorly planned approach. Stubbornness alone won’t get you very far. If you want to your child to have a rich, satisfying adulthood, you want to to encourage both stubbornness and cleverness. Of course, this will make your job as the parent difficult, especially during the teenage years. Who wants a stubborn, wily teenager? Sounds like a nightmare. But those same personality traits may serve them well in adulthood.

Creative Problem Solving — Using All The Tools in the Box

Right now I’ve got a few difficult problems in my life. One family member is recovering from a psychotic episode, and experiencing cognitive difficulties; he is unable to keep track of time, money, and material objects. Another family member has negligible income, has run out of savings, and is recovering from a major illness. These problems are complex and shifting; when they are “solved” they don’t stay solved. At times I feel overwhelmed and frustrated by these “emergencies in slow motion.”

But another, more dispassionate, part of my mind, sees things differently. The problems have more variables, but that doesn’t mean they’re not solvable. If one approach doesn’t yield results, a different strategy might work better. For example, a problem might be approached in one or more of the following ways:

Empiricism: What approaches have worked before, for other families?

Rationalism: Using my ability to reason, what approaches can I imagine that should work?

Subjectivism: How do my own thoughts and attitudes influence the problem (and what exactly am I perceiving as a problem)?

Intuition: What’s my gut feeling about the best way to proceed?

Network analysis: What role is everyone playing, and how do we influence each other, and how can we help each other and improve our communication?

Massive iterations with feedback: Just keep trying stuff, and adjusting behavior based on the results of each failed attempt, until something works.

(I’ve written in detail about each approach in posts such as this one.)

These are just some of the tools we have in our cognitive tool kits. In practice I don’t formally attempt each approach separately. I just keep asking myself questions, trying to trigger new lines of thought.

As a family, we’re supporting each other and doing pretty well. And people are getting the help they need. There are lights at the ends of the tunnels.

How To Teach Persistence and Creative Problem Solving

Stubbornness and cleverness might be genetic. I don’t think there’s anything my parents could have done to not have a stubborn child. But persistence (a more evolved form of stubbornness) can be taught. How? Praising effort, instead of success. Rejecting “I can’t do that.” Emphasizing that 10 or even 100 failed attempts is not embarrassing, but normal. Breaking down problems into smaller, more approachable chunks.

Being a good role model is maybe even more important. How do I approach the problems in my own life? How does the family solve problems together?

The silver lining of any problem is that in facing it we become stronger, more resilient, and more resourceful (both individually and collectively). Not in a “That which does not kill us, makes us stronger” sense (strokes left Nietzche paralyzed on the left side, and much weaker), but in the sense that confronting difficulty is good exercise. We don’t choose what knocks us down, but to some extent we can choose when and how to get up. Often, we may find ourselves better positioned than before.

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