sci-fi author, beatmaker

Tag: The Dive

Pre-Order Contest for Momu – The Mission

Momu - The Mission out April 8 (March 25 on Beatport)

Momu – The Mission out April 8 (March 25 on Beatport)

Loöq Records is sponsoring a pre-order contest for my new album with Mark Mark Musselman: Momu – The Mission. First prize is US$808 and lossless audio versions of all four Momu albums to date.

So who is Momu? Why is almost every track named after a location in San Francisco? What unique sound from a viral video was sampled and used in the track Google Bus? Why spend the entire promotional budget on a pre-order contest instead of a publicist or ad campaign or music video?

My Best Work, for Free (Momu – Momentum giveaway)

This morning I’m happy to give you some of my best work, for free.

Momentum is the second Momu album. The album was a change from our first album (the self-titled Momu) which featured textural, intense, breakbeats (like our remix of Jamie Stevens “The Night Before” or our epic anthem “Hydergine“). Momentum, on the other hand, is sculpted from slower beats, sonic weirdness, and poptronica.

My favorite track on Momentum (thanks in no small part to Kia Simon’s music video below) is the track Window. It was our first collaboration with Alysoun Quinby since “The Dive” (you may have heard that one in the background of about a hundred different MTV reality shows).

So, enough with the commentary. Click the link below to the Loöq Records site and download Momu’s last album, Momentum, as a free download. Yes, Loöq Records want your email. Why?

So they can tell you about the new Momu album which comes out next week.

Download Momu – Momentum

The Story of "The Dive"

A frame from Kia Simon’s music video of “The Dive”

A couple months ago Spesh and I received an email with a link to a demo.  This isn’t unusual — we get many submissions each week to Loöq Records — but this track in particular was a bootleg remix of a track we had already published.  A bootleg is an unsolicited “illegal” remix — it is made by chopping up bits of the finished track instead of using the individual remix parts or “stems” (supplied by the label or original artist).

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