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Category: Creative Work/Career Page 14 of 23

Getting from Should to Must

Walking my tiger used to be in the "should do" category. Now it's a "must do" ... a pillar of my mental, creative, and cardiovascular health. OK -- I don't own a tiger -- but the walking part is true.

Going on long walks with my tiger used to be in the “should do” category. Now it’s a “must do” … a pillar of my mental, creative, and cardiovascular health. OK — that’s not my tiger — but the walking part is true!

One of the ideas that has stuck with me from Awaken the Giant Within is the subtle but powerful distinction between “should” and “must” when in comes to motivation.

Robbins makes this point many times throughout the book: we make things happen in our lives when we completely commit to them, when we move them out of the “should do” category into the “must do” category.

There’s a huge gap between ideas, hopes, and dreams and sitzfleisch (applying butt to chair, getting it done — and yes this applies even if you work at a standing desk).

How do we close that gap? Robbins would suggest associating massive pleasure with these “must do” activities (a vision of success) and massive pain with inaction (imagining regret, remorse, continued suffering, etc.).

Natural “Must Do” Areas

We don’t “look for motivation” in most areas of our lives. We do things because we have to do them. Our kid is hungry so we feed our kid. Work needs to get done so we do the work. Unless depression or some other mental issue has disrupted the brain, we don’t find a need to “find” motivation. We do things because they need doing.

The “problem” of motivation surfaces in life areas that we might consider “optional.” These might include exercise, artistic practice, meditation, or even playing with our children. These things aren’t necessarily putting money on the table, they can be put off to the next day without devastating consequences.

But if we rationally and carefully consider what is important to us we may find that these activities (you know what they are for yourself) are vitally important to our well-being, and to our future selves.

What belongs on your MUST DO list that currently isn’t?

What would you tell your past self should have been on the “must do” list? Is it too late to start?

Changing Habits — 5 Specific Proven Techniques

What would YOU do for a scrap of bacon?

What would YOU do for a scrap of bacon?

Recently I’ve become fascinated with learning and implementing techniques to replace destructive habits with helpful ones. I’m particularly interested in giving up the habit of aimless web-browsing and other forms of online procrastination in order to become a more prolific writer. I not only want to write more words, but also to increase the intensity of my attention and quality of focus so that I can create higher quality work (I believe the two go together; increased quantity leads to increased quality).

I’ve made some progress over the last two years. I’m regularly reaching my goal of 15,000 words/month on my current novel, in addition to writing 2-3 blog posts a month. I’m curious to see how those numbers will change if I’m able to effectively implement all of the techniques below. Right now, if I were to give myself a grade in regards to how effectively I use my writing time, I’d give myself a C- (barely passing). I know I can do better.

The Problem: I either delay or interrupt my own writing process by distracting myself with email, checking social media feeds, checking link sites like reddit, or reading news and opinion articles.

The Ideal Behavior Pattern: Start writing without delay around 8:45am. Take breaks as needed to stretch, pace, exercise, and think, but don’t go down the internet rabbit hole.

The techniques below can be applied to any kind of desired behavior change, including quitting smoking, eating more healthful food, drinking less alcohol (or none at all), not fighting with your children or partner, etc.

Technique 1: Align Your Emotions with Your Intent by Asking the Hard Questions, then Commit

This is an area that I was neglecting until I read Awaken the Giant Within by Tony Robbins. I bought my copy used for $0.01 on amazon and it’s worth every penny. Just kidding — even though there are many references to events in the nineties, the psychological techniques discussed in the book are as relevant and valuable today as they were fifteen years ago. You can download the eBook for free using the link above.

The basic idea is to associate pain with not changing the behavior and pleasure with changing the behavior. What do you stand to lose if you don’t change? In regards to smoking and other health-destroying habits, the stakes are high; you could lose your good health, and/or twenty-plus years of your life.

Web-browsing might not sound as serious as smoking, alcoholism, or destructive drug-use, but when I asked the hard questions, I realized there was a lot of potential pain associated with NOT establishing good concentration and work habits. Any chance at establishing a new career from scratch (regardless of age) depends on intense focus, productivity, and the ability to resist distractions. I really would like to call myself a novelist one day, and if I don’t take full advantage of the free time, clear mind, abundance of ideas, good eyesight, and otherwise ideal circumstances that I am fortunate enough to be experiencing at this time in my life, I will regret it.

It was more fun to consider the pleasure side of the equation. Writing prolifically is a key part of fulfilling a major childhood dream of being a novelist. There’s also the immediate, daily satisfaction of completing a great writing session (I’m on top of the world for hours). When I write well I feel like I’m fulfilling my potential as a human being. Whether it’s blog posts that might inspire other people, or science-fiction that could entertain, inspire, or even add to the collective imagination of what humanity might become, writing lifts me up and expands my mental horizons.

I don’t get that feeling when I fritter away valuable hours and only manage to get a few anemic sentences down.

So those are the stakes. The last step of this technique is committing. Was I ready to commit to being a prolific writer? To raise the bar from should to must? Yes, absolutely. Carefully considering the stakes made that decision easy.

Is there a change you’re gearing up to make in your own life? A habit you’re ready to change, permanently? Do the exercise above and you’ll be ready now.

Go ahead. Bookmark this post, stop reading, and do the exercise above. What pain is associated with not changing? What pleasure is associated with changing? Do what it takes to gain the emotional resolve, then commit.

Committing isn’t the end of the process, of course …

Technique 2: Make the Good Habit Easy and the Bad Habit Difficult

This is the part where we use our natural laziness as human beings to our own advantage. Making a bad habit even slightly less convenient (or the converse, making a good habit more convenient) is hugely effective. Google demonstrated this principle by putting candy in opaque jars and healthier snacks in clear ones. Over a seven-week period Google employees consumed 3.1 million calories fewer of M&Ms.

Before I start writing, I disable the WiFi on my computer (unless I’m working on the blog — then I need the internet in order to create links within posts). At other times I’ve used site-blocking software like RescueTime and Freedom to curb my internet use. These tools work pretty well.

On the “more convenient” side I always keep a shortcut to my current manuscript right on my desktop, so I don’t have to dig around in folders to open it.

Other examples that could apply to other habits:

The “make bad habits harder” strategy works pretty well, but I’ve run into limitations. If I’m not fully committed to behavior change, I can always find a way around these “soft” restrictions. Maybe you have a friend who has halfheartedly decided to “smoke less” and therefore only bums cigarettes instead of buying them?

Other issues arise when your family or cohabitators aren’t on board. Maybe you’re ready to give up chocolate but your wife isn’t. Maybe unplugging the internet router would be great for you, but would through a wrench in your roommate’s workflow. In that case you need to support your behavior change with other techniques.

Technique 3: Understand the Cues, and Disrupt the Habitual Behavior

These days, when I catch myself going to a website or checking email or Twitter when I should be working, I make a loud siren noise with my mouth, like a fire alarm going off. Then, out loud, I describe the exact details of the offending behavior, and coach myself back to a more productive mode.

Good thing I work from home, right?

Let me explain how I arrived at the above technique …

Earlier this year I realized I had fallen into a less-than-ideal morning ritual. The experience of turning on my computer, drinking coffee, checking email, and looking at Facebook, reddit, nytimes.com, and other sites (I’m sure you have your own list) had become comfortable, easy, and habitual. This wouldn’t have been a problem if the web-browsing only lasted for five or ten minutes, but I often found it difficult to break out of this “easy web-browsing mode” into the more mentally strenuous work of writing, revising, etc. Major time wasted! I might still cram in some work before lunch, but many mornings I would end up frustrated with myself, even angry at myself for wasting so much time. Yet I felt powerless to stop it.

My first attempt at breaking up this pattern was to NOT start my day with turning on my computer. Instead, I used a pen and notebook to sketch out my ideas, plans, and thoughts about the day. This resulted in a more conscious start. It’s a good habit and I’ve easily maintained it since I wrote that post back in April.

My second attempt at breaking the pattern was to manipulate the cue of drinking coffee. I recognized that drinking coffee had become a cue for web-browsing, so I experimented with not drinking coffee until I was actually working on fiction-writing. This worked reasonably well and increased my word count, but it wasn’t the ideal strategy. Coffee drinking was a trigger, but it was also a reward, and sometimes I just delayed coffee drinking until I got a minor caffeine headache. The process started to feel too convoluted and unpleasant, so I abandoned it and went back to studying how habits are constructed from cues, behaviors, and rewards.

Charles Duhigg, in his book The Power of Habit, explains that a habit is constructed of a cue (or trigger), a behavior, and a reward. If we can develop an awareness of what sensory inputs trigger the behavior we want to change, we can modify our response to the cue.

So far I’ve noticed several cues that precede my habit of internet browsing, including:

  • turning on the computer
  • finishing a chunk of work (a scene or even a paragraph)
  • hitting a mental block … not sure how to proceed

Now, if I find myself starting to go down the internet rabbit hole, I use what Tony Robbins calls a “pattern interrupt” to disrupt the behavior (thus the siren noises and out-loud verbal self-coaching).

So far this has been very effective. But it only addresses part of the habit — the cue or trigger. What about the reward?

Technique 4: Understand and Reprogram the Reward

For lasting habit change I knew I needed to identify the reward I was getting from self-distraction, and find an alternate means of getting it.

Getting a better understanding of the triggers helped me understand the reward. I think the reward I get from self-distraction is a break in intensity, a rest for my brain.

The problem with using the infinite entertainment and distraction potential of the internet is that a five minute break can turn into a twenty or sixty minute break all too easily. Also, I don’t get the full benefits of a break, like moving around, looking at something besides a screen, doing a quick household chore, or even briefly exercising.

A household chore as a reward? Really? If you don’t understand this, you’re not a writer. 😉

Even worse, if I check email there’s a good chance my brain won’t get any rest at all, but will be pulled into a different problem. Too many times I’ve lost writing momentum because I read a client email, and my brain got sucked into how to solve that problem. It’s not fair either to my creative process or to my client to give each half my attention.

So if I feel the need for a break, I give myself a break. I might sit in a chair in my yard and soak up some sun, or do some pullups on the plum tree, or sit and meditate for a few minutes, or get a water or coffee refill. Ideally I try to keep it physical and short, then get back to work.

When I took a break from drinking, I found I was able to achieve many of the associated rewards without actually consuming any alcohol. San Pellegrino in a wine glass went a long way: something a little fancy, treating myself well, hydrating, mouth sensation, etc. Sometimes I found the craving for wine was actually a craving for sugar … adding a little juice to the carbonated water helped satisfy that need. The substitutions I used for wine, beer, and scotch help me understand that when I thought I was craving a drink, at times I was craving something else (water, sugar, being nice to myself, relaxing, time with family or friends). I probably drink about half as much now as compared to before I took the break.

Technique 5: Repeat and Reinforce Good Behavior

Eventually a good habit rewards itself. When I changed my eating and supplementation habits and eventually was able to breathe normally, the idea of going back to my old lifestyle habits held zero appeal. Nothing beats breathing.

But when you’re just starting to change a bad habit and/or establish a new one, it’s important to reward yourself immediately when you do something right.

The rewards don’t have to be big. But at least pat yourself on the back. I use out-loud verbal coaching to this effect, congratulating myself when I take a minor step in the right direction. When I reach a major milestone I usually treat myself to something … a small purchase or a nice meal.

It’s important to keep rewards simple and immediate. A complicated reward (like a trip to a foreign country) requires a great deal of work to implement. Your mind might not perceive it as positive reinforcement by the time it happens.

The most effective reward schedules are intermittent and variable. Don’t always reward yourself for good behavior, and mix it up both in terms of the kind and size of the reward. After a good writing session I’ll sometimes reward myself with dark chocolate, a walk around the neighborhood (sometimes I’ll stop by the local record store). If I finish a draft I’m going to splurge on something. My brain is going to know I did something right.

I guess there’s some possibility of creating a new bad habit by reinforcing a new good habit. You’re not going to replace smoking with candy bars, or drinking beer with drinking soda, are you?

Line ‘Em Up, Knock ‘Em Down

It’s not a bad way to approach life change. Line up the bad habits and turn them into good habits, one by one. After I kick the aimless web-browsing habit I have a few more in the queue.

What habit are you committed to changing in your own life? Step up and comment below.

No Rest Days (Until I Crashed)

Turns out I do need rest days.

Turns out I do need rest days.

Over the past few months I’ve been experimenting with writing fiction every day. Sometimes, because of work and family obligations (and/or my own procrastination), I’ve missed a day. But most mornings, I write.

Writing every day — benefits:

  • Writing every day keeps my subconscious mind engaged with my fictional characters. Ideally I wake up thinking about them, knowing what they’re going to do next.
  • Writing every day keeps my momentum going. If I hit a roadblock I’m forced to find a way to blast through it (instead of pausing progress to “think about it”).
  • Writing every day becomes habitual. It’s easier to write every day at the same time and place than it is to “find time to write”.
  • Writing every day creates the expectation among my family, friends, and clients that I will be unavailable for a certain amount of time each day.
  • Writing every day means that I will be writing from a variety of different emotional and energy states … not just energetic inspiration. Ferrett Steinmetz has a good post on this topic.
  • Writing every day provides me with a daily sense of accomplishment, bolstering my self-worth.

My writing routine looks something like this:

  1. Get set up at my standing desk (laptop, coffee*, water).
  2. Meditate for a few minutes.
  3. Turn off wi-fi.
  4. Start entry in writing log.
  5. Open current work document (I use OpenOffice). Revise previous day’s work.
  6. Write until quota is met (my current quota is 808 words). Take breaks only to exercise (free weights to generate lactic acid which in turn adrenalizes the brain) or to use the bathroom.
  7. Complete entry in writing log.
  8. Backup work to DropBox.

*As per this post, I don’t start drinking coffee until I’ve started writing.

Harnessing the Subconscious Supercomputer

We all have access to supercomputer that is constantly churning the available data looking for solutions to problems, new possibilities, and potential realities. Our conscious-awareness is a tiny spotlight that only captures a small fraction of what our brains are “doing.”

If you wake up with an idea or a solution, that’s your subconscious mind at work. Salvador Dali went so far as to develop a ritual to capture the surreal images of his subconscious imagination.

But it’s easy to waste this brainpower. We can waste it by overthinking disputes that are not important, or trying to control situations that are clearly out of our control (like what other people are thinking or feeling), or by obsessing over scenarios that are unlikely to occur.

How can we get the subconscious mind to work on behalf of the interests of the conscious mind? In other words, how can we direct the supercomputer to work on relevant problems and scenarios?

I think the most reliable way to do this is to take up a daily practice that is relevant to our major life goal or vision.

All Good … Until I Crashed

My daily writing system worked well for a long time. But gradually I began to notice diminishing returns. Though I always felt a sense of accomplishment after writing, sometimes I was feeling a sense of dread before starting, a feeling not unlike starting a long work day at a job you don’t like. Once again, Ferrett Steinmetz describes the feeling well:

Since I have arranged my entire life around avoiding that feeling, I knew this wasn’t a good sign. I don’t mind hard work, or giving myself a little kick in the butt to get started, but I didn’t want writing to feel like drudgery.

Last Thursday I went on vacation with my family to Camp Towanga (near Yosemite). Arriving in the mountains, I realized I was exhausted. Not just mentally, but also physically — I’d been lifting weights every day as part of my writing routine, and my entire body ached. I decided it was time to end the experiment and take a few days off.

Judaism takes Shabbat — the day of rest — very seriously. As I participated in the rituals surrounding the Jewish sabbath, I reflected on what a “rest day” means to be me.

What I concluded is that even though I thrive on structure and discipline, rest and relaxation and unstructured time is just as important. I’ve learned that waiting for inspiration is unreliable, but this doesn’t mean that I should always be driving myself hard. It’s OK to rest, to come down, to lie fallow. For me, it’s probably essential.

Not every successful writer writes every day without fail. And those that do pay a price. Stephen King, sticking to this 2000-words-a-day-no-matter-what writing habit, fueled himself with copious amounts of drugs and alcohol (as he describes in gory detail in On Writing). Correlation is not causation; not every drug user is a best-selling fiction author. But there is always a price to pay if you don’t rest.

Fear of Getting Out of Shape

From November to mid-March I took time off of fiction writing to wait for feedback from readers, revise my first draft, and work on music projects. During this time my writing “muscles” atrophied. Despite plenty of ideas, it was a real struggle to get back into a productive flow on the next novel. Now that the flow is back, I’m scared to lose it.

But there’s a difference between taking a day or two off every week, and taking a few months off. If I don’t let myself rest on a regular basis, I might end up with a dry well for years. Bill Hayes has a great essay on this topic.

I’ve made a five year commitment to developing fiction writing as a skill and a new career. That doesn’t mean I have to sprint the entire five years.

Going Forward

Basically, I’ll be observing weekends and holidays. This doesn’t mean I won’t produce on Saturdays and Sundays, but it won’t be quota-driven production. I’ll work on whatever I want to, as inspired.

When I’m writing a first draft, I’m going to aim for 15,000 words a month. That should give me a first draft in six or seven months. With editing, revisions, and breaks to work on other projects, it might take me 18-24 months to complete a novel. Since I’m also working for living, running a music label, blogging, and being a parent, this seems like a good pace. Any faster and I think I’d risk burnout.

Buyer’s Market

Kurt Vonnegut, in the intro to Bagombo Snuff Box, mentions that there was a strong seller’s market for short stories in the 1950’s. These days, there isn’t. For various reasons we now have a glut of fiction writers at the same time the publishing industry is struggling. It’s a buyer’s market for fiction of all kinds.

What this tells me is that it’s more important than ever to focus on quality over quantity. Of course, you have to produce huge quantities of work to get to quality, but at some point you have a choice: work more selectively and carefully, or churn.

Churn has its place. Churn can break you out of inaction. Churn can make you realize you are capable of producing far more than you ever thought possible. But churn won’t get you to great. Great requires multiple drafts, throwing out bad work and starting over, and listening to that annoying whisper in your head that lets you know you can do 10% better if you’re willing to put in 100% more time. Heck, good might even require all those things.

How to Increase Your Daily Word Count by 75%

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Recently (twenty-one days ago), I modified my morning writing routine according to advice by Charles Duhigg, author of The Power of Habit. The change I made was simple: swap out one behavior (fiction writing) for another (surfing the internet) in response to the trigger of preparing and drinking coffee.

My previous routine was something like this:

  1. Make coffee.
  2. Morning meditation (just a few minutes) and journal writing/day notes (also very short).
  3. Shower and dress, have first coffee.
  4. Breakfast with family, get daughter ready for school or camp.
  5. Drink coffee while reading the entire internet, until heart is racing and mind is full of bad news and cute animal pictures.
  6. Force self to begin writing. Write for 30-60 minutes until it’s time for lunch.
  7. Record word count and other variables in writing log.

This actually wasn’t a bad routine. I completed the first half of my current novel this way! I always felt great after meeting my tiny word count quota, and the writing process flowed once I got started (no writer’s block, no shortage of ideas).

But I knew that I was wasting time and that I could do better. In fact, I did better last year, averaging 726 words a day from May 2, 2013 through August 10, 2013. Recently, I knew I’d been writing much less than that. What changed? Part of the problem was that I was writing a sequel, and thus having to check the previous novel frequently to maintain continuity. I was also working with a looser outline this time, writing more by the seat of my pants. I had also lowered my daily quota. But the main problem was that I was getting a late start and wasting time.

Watching the Jonathan Fields interview with Duhigg provided the tool I needed to change. Coffee was a major behavioral trigger for me, but the behavior it was triggering wasn’t productive. So needed to substitute one behavior for another.

At first, effectively, this meant withholding coffee until I had actually started the writing ritual (opening documents, recording my start time, reading previous day’s work, etc.). But over the last few weeks I’ve noticed that the first sip of coffee now propels me into my work. Weird, freaky, easy. I’m back in a good groove.

I wanted to wait a few weeks before reporting any results to make sure the behavior change and productivity boost wasn’t a fluke. Here are the actual results.

Twenty-one days before starting “coffee trigger” experiment:
Total word count: 6,481
Average daily word count: 309
Average start time: 11:33am

Twenty-one days after starting “coffee trigger” experiment:
Total word count: 11,437
Average daily word count: 545
Average start time: 9:20am

Feel free to check my math, but that’s a 75% boost in word count, and I’m definitely getting an earlier start.

The new morning routine looks something like this:

  1. Make coffee.
  2. Morning meditation and journal writing/day notes.
  3. Shower and dress.
  4. Breakfast with family, get daughter ready for school or camp.
  5. Check email, quick look at most interesting news items.
  6. Drink coffee and write fiction for 1-2 hours.
  7. Record word count and other variables in writing log.

What’s Your Trigger?

What I recommend is not necessarily that you tie your creative process to caffeine intake, but rather that you note what environmental and chemical cues already exist in your routine and then tie your creative process to those cues. If you have a bad habit you’d like to substitute with a new behavior, think about what triggers the cigarette smoking, doughnut eating, or internet browsing. Waking up? The startup chime of your computer? The whistle of the tea kettle? What do those particular sights, sounds, and smells propel you to do?

If Duhigg is right, we can’t just “turn off” our reaction to the cue, but we can modify our behavior so that we do something else in response.

Should You Use a Word Quota? What’s the Right Number?

My daily word count may look laughably small to some professional writers. Stephen King’s quota is 2000 words per day, every day. My quota is 600 words/day, most days (weekends and holidays I still write and revise, but without a quota).

My current monthly goal is 15,000 words. That gives me a rough draft in approximately 6 or 7 months. That’s slower than King recommends for a first draft (in On Writing, he states that he likes to bang out a draft in 3-4 months), but it’s where I’m at right now.

Last year, when my daily average word count was higher, I was working with a higher quota (1000 words a day), but missing it a lot. I lowered my quota with the thought that meeting an easy goal provides motivation and ultimately increases productivity, but maybe I made it too low.

Ideally I’d like to consistently hit 1000 words/day without expending too much willpower. Maybe I just need to type faster. As a first step I’m considering raising my quota to 800 words/day.

At the moment I have ideas and rough notes for 17 novels. I’d love to achieve a pace of one novel per year. I realize I’m getting ahead of myself; I haven’t published any fiction, I don’t have an agent or connections. But what I’m doing now is working the process. If I succeed at fiction writing the reward will be more fiction writing, so I might as well get a good system going.

After I finish my current draft I plan to write music for a couple months while it’s being read. Ideally I’d like to get into some kind of regular production schedule where fiction writing is the main activity but there are breaks for immersion into music production, other kinds of writing, collaborative projects, and the like. While I haven’t yet worked out the details, what is clear to me is that I need a daily creative practice (with some intensity and pressure and measurable output) to maintain my mental health, wits, and love of life.

Please share your own thoughts, questions, and experiences in the comments.

Radical Responsibility and the Creative Process

I'm starting a new company called "BoozeSnap."

I’m starting a new company called “BoozeSnap.”

Yesterday morning I showed up at my writing desk not quite ready to work. I was in a foul mood, a little tired and lazy, and feeling distracted. Not just feeling distracted but actively looking for distractions (which, on the internet, are not hard to find).

After an hour or two of wasting time and wallowing in my bad mood, I figured out (for the eleven-hundredth time) that I had nobody to blame for my mental state but myself. I could have said no thank you to the 18-year-old Lagavulin my friend brought back from Scotland and poured freely at the D&D game. I could have attended one decadent social event instead of two. I could have eaten better, exercised more, and gone to bed earlier.

Radical Responsibility is a form of self-empowerment. To me the phrase means looking for solutions and possibilities instead of excuses, and never passing the buck. It means being ready, brave, and confident. It means exercising my free will (and rejecting fate, powerlessness, and inertia).

Of course, having an ideal and living an ideal are not the same. But the point of having an ideal is to stop pounding your head against the wall before you hurt yourself.

So … I acknowledged to myself and my family that I was in a terrible head-space (I had kind of been taking it out on them up to that point). I sat down and meditated for five minutes. I turned off the wifi on my laptop, opened my working document, reviewed my notes, started writing, and kept writing until I had met my daily quota.

Immediately my mood lifted. I read the work and felt excited by it. 27 days in a row working on my current novel (“don’t break the chain” in full effect). There’s no better reminder that emotions don’t have to control you than pushing through and doing the work anyway.

But There’s a Better Way …

Ideally, I shouldn’t have to expend so much willpower to get rolling. I wasn’t ready but I could have been ready. Artists can choose to be ready physically by being reasonably rested and fed (but not overfed — less is usually more when it comes to food and creative productivity). We can be ready emotionally by not getting entangled in other people’s drama (Polish saying: “not my circus, not my monkeys”), by avoiding disputes and the need to always be right. We can be ready with an abundance of ideas by paying attention to the subconscious mind, by meditating, and by consuming brilliant work by artists we admire. If depression is holding us back we can do something about it. If we don’t have enough time or a fancy working space we can fit in bits of work here and there; we can create a distraction-free zone in some little nook.

We could make an excuse for not being ready, but do we want to? Why not just be ready when it’s time to work?

The Perfect Excuse Guy

When I was in my early twenties I had a shitty temp job at a warehouse packing boxes. I also had a few techno and house tracks signed and published (one with a major label) and I was working on music about twenty hours a week. There was a guy at the warehouse, probably in his thirties, who was interested in electronic music and frequently asked me questions about how to get into it. I told him my story: I had saved up money to buy a keyboard, figured out how to plug it into my computer, taught myself MIDI sequencing, sent demos to labels, and so forth.

Anything I told this guy, he had a perfect answer for why he couldn’t do it himself. A keyboard was too expensive (I had saved over a year before buying mine). He didn’t have time because of his job (I was currently working the same job and producing music nights and weekends). I would try to explain to him how he could get around the obstacles he was setting up for himself, but he always had an answer ready. I would give up trying to convince him, but then he would start asking me about music production again. He clearly wanted to get into it himself. He wanted me to talk him into it! I tried, but the excuse part of his mind always won out, and finally I just refused to talk about making beats with that guy.

A different guy from the warehouse was a DJ. He heard I was producing tracks and asked if he could come over and check out my home studio. I said yes and we had a great production session — we exchanged quite a bit of knowledge in just a few hours. It didn’t turn into an official collaboration, but it left me wondering why the first guy never asked to check out my studio and see what it was all about (I had done the same thing with Josh Davis aka DJ Shadow a few years earlier when we both worked at Steve’s Pizza in Davis, California — Josh showed me his four-track + turntables recording setup which was an eye-opener for me at the time in terms of ways to make music).

I want to be the opposite of the Perfect Excuse Guy. I want to be able to produce and create even when I have shitty tools, no time, not enough money, no great ideas, inadequate skills, and a lack of natural genius. Because I just jump in and start. And then keep going. And then get better. And then keep going. That’s the guy I want to be, forever, no matter the field or the game.

So what’s your story? Are you ready to be radically responsible for your own mental state and creative output?

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