J.D. Moyer

sci-fi author, beatmaker

Category: Writing Page 1 of 18

Artistic Values for 2025

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On December 31

In Creative Work/Career, Metaprogramming, Writing

I’ve done some work on consciously prioritizing my values, and that work has served me well. I know what I stand for, and that makes decision making easier.

But when I found myself in a creative/artistic lull at several points during 2024, I realized that I hadn’t ever thought about my values specifically in regards to creativity.

Maybe, in this age of AI-generated slop, it’s more important than ever for artists and creators to drill down on the WHY of their creative process. It’s a way to push back against the capitalistic, soulless, unconscious, theft-based, royalty-dodging, exploitative, human-devaluing “values” of the AI industry.

So for what it’s worth, here’s what I’ve come up with so far. I’m going to focus on these values in 2025:

1. Daily practice/habit

I’m not as fanatic about “write every day” as Stephen King, but I do try to write most days. I know I’m generally happier on days when I write (and/or make music), and of course there’s always the possibility that something I create might be halfway decent. But if I don’t put in the work, I get neither of those benefits.

2. Exploration

One of the great benefits of the act of creating something is that there are almost limitless possibilities. Prevailing norms of genre and style provide structure, but even those boundaries are meant to be broken–or at least tested. So you can pretty much do whatever you want. I like the analogy of making art as an exploration of possible spaces. For each work there is a universe of possibility, and the artist has the privilege of poking around to see if there’s anything good in there.

3. Service

My dad challenged me to ask this question: “Who do you serve?” Does your work serve the shareholders of a corporation? The owners of a privately held company? The mission of a nonprofit? Your family? The people in your community?

As artists, if we only chase commercial success, there’s a possibility we’re following the agenda of some corporation that’s trying to sell the most lowest-common-denominator “content units.” But if we ignore all markets and only serve our own artistic sensibilities, there’s a possibility of getting lost in the black hole of our own belly button.

So maybe there’s a Goldilocks space in between, where we serve others with our artistic efforts, but we don’t try to please everybody, or make the quickest buck, or force ourselves to work in styles and genres we don’t really like.

That’s it! What are you own artistic values?

Wishing you all a Happy New Year!

Communications from my Past Self (and other reasons to write)

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On May 20

In Creative Work/Career, Metablog, Personal Updates, Writing

East Cut neighborhood in San Francisco

I’m gearing up for some changes to this site. Probably a new theme, and hopefully a better system for signing up for my newsletter.

Considering these changes has led me to consider what this blog is for. Self-expression? Self-promotion? Is it a lifestyle blog? A health blog? A creativity blog?

Sure, all of the above. But here are the reasons that resonate with me the most right now:

1. To think more clearly. For me at least, there’s no substitute for writing about a topic in order to understand it, to formulate and articulate my views. I write, therefore I think.

2. To have a record of what I was thinking and feeling at a particular time. Just today I reread a post I’d written from when I’d overcommitted to work, and was feeling overwhelmed. At the moment I feel like I don’t have quite enough freelance work, which creates some financial stress. But reading my previous post reminded me that I said some no-thank-yous to give myself more time to work on writing and music. So that’s what I should do.

3. To grow my readership. I haven’t put much energy into this, but it is important to me. Having regular readers is great for so many reasons. But it’s a responsibility, a two-way street, and if I’m not writing interesting and helpful posts then I can’t expect an audience to stick around.

And here are a couple reasons that don’t, or no longer, resonate with me:

1. To write about health topics. Bottom line, I’m not a medical professional. I have a deep interest in nutrition and human health, but there are also huge gaps in my knowledge. In another life I might have become a nutritionist or naturopath, but that’s not the path I chose. And that’s not the kind of reader I want to attract or interact with.

2. To sell something. This blog will never become a sales funnel to buy my course or eBook. I just have no interest in that. If you happen to discover one of my novels that you think you’d enjoy, and buy it, fantastic! But the primary purpose of this blog never was and never will be to make a quick buck.

Personal Updates

  • I recently returned from the Nebulas Conference in Anaheim. It was my first in-person writing conference since the beginning of the pandemic, and being around other authors was incredibly energizing. I didn’t have any particular agenda beyond learning and socializing, but I ended the weekend with a slew of new ideas and a recharged writing battery. My friend Jane was nominated for a game-writing Nebula for her work on a recent D&D book, and though GRRM won the award for Elden Ring, I felt very happy for her and her team. I also met Steve Lerner, the writer of Stray (nominated in the same category)–I look forward to playing the cyber-cat game. As for novels, I’m currently reading and enjoying Daughters of Tith by J. Patricia Anderson.
  • The quiver of complete, unpublished fiction is getting pretty full, and in the coming months I’ll be shifting my efforts to submitting more work for publication, and possibly taking another crack at the agent querying process. At the moment I’m working on revisions of Green Dawn (previously titled The Savior Virus), a near-future medical thriller/sci-fi novel.
  • There are a few social issues I’m trying to think more clearly about, so I’ll probably write about them in the near future. A few of the questions I’m considering:
    • What Should the Left Do About Men? (high male unemployment, falling educational levels, social isolation, etc.)
    • How Can Labor Disrupt the False Promises of AI-Enhanced Productivity?
    • What are the Most Effective Ways Citizenry can Reclaim Power from Fascist/Authoritarian Leaders and Groups?
  • I have two new EDM releases out:

That’s all for today, hope you are enjoying your weekend!

How I’m Protecting my Writing Time (and Sanity)

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On January 25

In Creative Work/Career, Personal Updates, Writing

In 2020 my freelance consulting work crashed. Though none of my clients went out of business, many scaled back their operations and/or new software development dramatically in response to the pandemic. This, combined with a steady downward trend in the type of consulting work I’d been doing for many years, resulted in a very slow work year with far fewer billable hours than I needed to cover my expenses.

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Did I Plagiarize Lloyd Alexander?

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On November 4

In Personal Updates, Writing

Recently I started rereading Lloyd Alexander‘s The Book of Three, a fantasy novel I hadn’t cracked open in roughly four decades. My daughter was giving away some books, and this was among several I rescued. As a child, I remember being fascinated and slightly disturbed by the first edition cover art, and enjoying the entire series immensely.

But reading the book again, I was astonished to realize the opening scene is between two arguing blacksmiths — that exact same way The Sky Woman (Book 1 of Reclaimed Earth) opens.

Fortunately the similarities end there — The Sky Woman has no oracular pig, or princes and kings, or epic battle between good and evil.

But I’m sure it’s not a coincidence. The Chronicles of Prydain series was my introduction to high fantasy, well before I read the Lord of the Rings. The Book of Three sat in my subconscious for decades, influencing my thinking and decisions in who-knows-how-many ways.

The stories we hear and read when we’re young shape our lives forever. I wonder what other stories are rummaging around in my subconscious, influencing my decisions.

Personal Updates

  • I’m loving living in San Francisco. It turns out we’re in the East Cut neighborhood, not South Beach. After living in the Oakland/Berkeley flats for most of my life, the vastness and scale of the architecture (the Bay Bridge, the Salesforce tower, the Ferry Building) is refreshing. Walking the Embarcadero at night is stunningly beautiful. Of course the novelty will wear off in time, but I’m enjoying it for now.
  • We’re about to start remodeling our house in Oakland. We’re in a good financial position, and we have a good team, but still the money stress is getting to me. Even modest remodels are crazy expensive. But it’s what we need to do to make the house nice and rent it out at a good price. And if/when we ever move back in, we’ll appreciate the upgrades.
  • I got my Covid booster. So now I’m J&J plus Pfizer. No side effects this time except for a day of mild tiredness and a sore arm.
  • Still taking a break from all alcohol, approaching two months. The main thing I notice is that even though my stress levels are high right now, so is my emotional resilience. Usually high stress, for me, comes with some feelings of despair and hopelessness. But lately I’ve been facing my problems energetically with a non-forced sense of optimism. I would guess at least some of that emotional shift is from not drinking, perhaps related to neuromodulatory microbiome changes. Or it could be unrelated — no way to easily test. But for the moment, I’m happier abstaining from booze entirely.

Results of September Copy Practice

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On October 4

In Creative Work/Career, Writing

After revising the first draft of Saint Arcology, I decided to take a few weeks before starting my next project. But I didn’t want to stop writing entirely; I needed to keep my word brain active. I decided to go with some copy practice: copying the prose of some of my favorite authors.

I’d read about a particular method: reading a paragraph or two, then attempting to write out that section from memory. Then go back and notice how your prose decisions are different (and presumably worse, if you’ve picked someone good) than the writer you are copying.

I started with this method, but found it difficult and frustrating. I’m not great a memorization, and I was putting too much effort into trying to remember what I had just read, and not enough into noticing the author’s stylistic choices. So I switched to a simpler method: open a book at random, read a few paragraphs for enjoyment, then copy those paragraphs directly.

I started with Pattern Recognition by William Gibson. Gibson’s prose is information dense. He conveys a tremendous amount of meaning with a tight word budget. But on this read-through I was also struck by how vividly and precisely Gibson describes internal states. For example:

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